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Another Uncut Podcast. In this episode, I am chatting with artist, June Stratton near Savannah, Georgia.
June answers your questions on a variety of subjects.
To find out more about June and her work go to:
https://www.junestratton.com/
June’s Instagram
@june_stratton
June’s Notes
This is the German gilding size I was describing to you.
– Kölner Instacoll
I buy from Golden Leaf products along with the gold leaf.
Panels – Ampersand gessoboard
My palette
Titanium white
Cremitz white
Blue black Windsor and Newton
Yellow ocher
Naples yellow
Transparent earth red Gamblin
Napthol red Gamblin
Alizarin crimson Williamsburg
Cadmium red
Vermilion Rembrandt
Chinese Vermilion Michael Harding
Ultramarine blue
Radiant Blue Gamblin
Yellow extra pale Williamsburg
Cadmium Yellow
The plaster I use
– “Tuf-Stone” the plaster I use has tiny (probably glass fibers in it) I buy it from The Compleat Sculptor
(Warning shipping can be as much as the product. It’s heavy)
Brushes
For details I use:
Trekell protege script
Silver Renaissance sable cats tongue
For larger spaces I use:
Any good quality bristle filberts
Glassine
A smooth, glossy paper that’s air, water, and grease resistant, glassine is used by artists.
Thanks for listening!
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Theme music by The Argyle Pimps. Thanks lads.
Thank you John!
Just a note for those listening:
When I am speaking of adhering molds to panel…I really mean I am scoring and adhering… *casts*…dyslexia strikes again! ; )